EXHIBITIONS / PROJECTS
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| ART & CAPITAL |
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ART MARKET |
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It investigates the impact
that the market, money and business have on our perception
of art, understanding this challenge as a way of questioning
the art critical promising.
Any projects proposed systems to measure whether when
the art crosses the limit of business, it violates its
subversive potential. These include documentary drawings,
actions, video, second versions of auctions catalogues,
sheets, posters, graphics, theatrical presentations
with Power Point, website, mathematic calculations,
technical and legal experts.
Action-Instruments
Box 2011
Auctions
Market & Money since 2008
Suite Auction
Drawings since 2008
Errata
since 2008
Posters 2008/9
Maps 2008
Industrial Disign
2001
Enchanted Landscape
1998
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MUSEUM /COLLECTION |
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Museum /Collection
These are exercises that active new questions about
the museum, the act of collecting and the status of
legitimation as systems of belief, narrative and power
relationships. It includes interventions, installations,
mise-en-scène, video, archives, performances,
letters.
Wherever an object is exhibited (or otherwise singled
out), it enters into a "conversation" with
other artefacts and, according to the context which
it is placed, it champions an array of particular views
which, inevitably, differ from a host of other views.
Both as metaphor and agent (a not only within the art
world), it becomes part of the negotiations –and
struggle- over how we understand the world and what
our social relations should be. (text by Hans Haacke,
from Viewing Matters, Museum Boijmans Van Beuningen)
Converzacioni 2009
Conversaciones 2006
Conversaciones 2005
Chat 2001
Minigarden 2005/2006/2009
A&A-Lost In History 2007
Imperio/Things 2005
Alice Ville
2005
My Booty
1997/2006
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CULTURAL PRODUCTIONS
/ LINES OF FLIGHT |
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These projects operate on drifts
and lines of flight, revisiting the situationist inheritance,
these projects recourses to the rhetoric of the symposium
or conference, psychogeography, the tours, the activism,
bars talk, the creation of laboratories or live magazines.In
these exercises, the artistic practice — through
the use of performatics strategies of mimesis and camouflage
- takes traits of invisibility.
Public Considerations,
A Symposium In Three Acts 2010/2011
Revolutionary Travel!
2010/2011
Culture Secretary
2009/2010
Cultural
Capital 2009
DeNationality 2008
Capital
Flow´s since 2008
LIPAC
since 2007
The Paradigm Confine
Tour 2007
Links 2006
Magazine
in Situ since 2004
Cultural
Productions 2004
EPA! 2003/2006
Elipse 2003
Guided Tour
2001
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Since the mid-1990s Art & Capital brings
together a number of practices that make visible signs and
mechanisms involved in the construction of gaze and the image
of art, in the ideological framework of his narrative into
the capitalist system. There are: the impact of the market,
narratives of legitimation, rhetoric of freedom...These practices
are deploying in several media such as: graphic pieces, installations,
actions and performances, drawings, theatrelized symposia,
situational/social-processes and videos. She employs resources
and conceptual methods borrowed from art and other practices
such as courtroom drawings, developed of graphics and economy
calculations, cartography, theater, films, official documents
and tactical of law.
Any projects implicate the exhibition devices as site-specifics;
art-form is defined in the limit of the artistic genres, by
means of strategies of mimesis and camouflage also in the
limit of the artistic practice.
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